This is a series of posts about Italy, Malta, and Spain that starts here.
After hitting the gift shop at the Prado and loading up on Hieronymus Bosch refrigerator magnets, bookmarks, and postcards, we crossed the roundabout toward the Thyssen Bornemisa Museum.
But first, some lunch. We walked into the first restaurant we saw and followed the hostess down some stairs, through a hallway, up more stairs, and into a back dining room. It was probably early for lunch in Spain—only 1:00—so we had the room to ourselves.
I don’t remember anything about the food. I know we laughed over some of the Spanish to English translations on the menu, and at the fat German couple seated near us who ordered strudel and beer. I vaguely noticed the place fill with people, then empty again while we ate and drank a bottle of house wine and talked and talked.
This may be the number one thing I love about traveling with a friend. Leisurely meals. At home I gulp down my food while reading a magazine or watching TV. I’m usually in a hurry to get on to the next thing. I barely notice what I’m shoveling in my mouth.
Suddenly we realized it was almost 4:00 so we hurried across the street to try to see everything in the museum in one hour. What a relief—it was open until 7:00.
The main art museum in Minneapolis, the MIA, has collections—like Decorative Art, Textiles, and Sculpture; or Japanese and Korean Art. The Thyssen Bornemisa reminded me of the Reina Sofia Museum, with one or a few pieces from lots of different artists scattered seemingly at random throughout a somewhat shabbier building. It had one masterpiece each by van Gogh, Chagall, Degas, Cezanne, El Greco, Caravaggio, Monet, Picasso, Gauguin. It reminded me of the “Greatest Hits” compilations music companies used to publish when people still bought CDs.
There was a variation on this famous painting by Holbein of Henry VIII; the original had been destroyed:
We bought the obligatory postcards, bookmarks, and refrigerator magnets. These make nice small gifts, or I think they do. Maybe people hate them.
We went back to the hotel to freshen up, then back to the square where there were supposed to be loads of tapas restaurants. This time we were determined to find an “authentic” tapas place, as if we knew what that would look like. We found one that looked a little run down, and were soon being served, if you can use that term, by the crabbiest waiter ever.
The tables were covered with old linoleum. Ours had some squeeze bottles of unknown contents and a pile of three thin, miniscule, nonabsorbent paper napkins.
“D’ya want something?” our waiter demanded brusquely in Spanish. His clothes were rumpled and stained.
Lynn, always cheerful to servers, asked for red wine in English. The waiter scowled and I repeated in Spanish, “vino tinto, por favor.” He walked away without a word and returned with two smeary glasses of red wine, which he slammed down before us. This place was authentic, alight.
“Para comer?” he demanded next. To eat? Lynn pointed to menu items and again he walked off without speaking, returned, and threw down some plates. The food was basic but good.
I watched over Lynn’s shoulder as our waiter poured a half pint of beer, dumped in two very large shots of tequila, and poured it all down his throat. Within minutes he was relatively cheerful, even coming to our table to ask if we liked our food. I felt moved, imagining he got by like this hour by hour, night after night.
As I write this, I’m about to leave for Belize and Guatemala. I’ve front loaded the blog to post throughout this trip, but I never know what kind of condition I’ll be in when I return so no promises about when the next post will be.
I don’t mean to sound melodramatic, but I’ve been on enough trips where I come home sick, or to some crazy family or work situation, so I’m cautious about committing to anything too soon after I get back.